Fabio Aguzzi: Parliamo di Scope a Venezia, Cortina d'Ampezzo

"Fabio Aguzzi, with an almost Proustian, hence mythical sensibility of the art of memory, has remembered the existence of those bodily brooms to make them prominent characters, who give strong prominence to the field, endless, of memory and who today, to his sole credit, are there, in front of our noses, the pleasing portrait of the painting of our time.
In painting, as we know, portraying a landscape remains one of the fundamental themes.
a classic, at least as much as the portrait of a face or of a long female body stretched out and naked: but this one of everyday objects has been pulled up and brought to the foreground precisely by Aguzzi, elevated to the forefront of the spectacle of art. Because Aguzzi, abandoning the idea that portraits of these objects could be mistaken for toys made clear what needed to be said: that his is a kind of memory of time found again. "

Giorgio Soavi